Mid-market venues.
§ FOR 1,000–5,000 CAPACITY
We do the watching. You do the deciding.
Regional theatres, mid-market music venues, conference centres in the 1,000–5,000 capacity band. The cohort where the head-of-security is one human plus one assistant, the door team already knows the regulars, and a real-time cross-camera trace is the gap between what their job requires and what their bandwidth allows.
§ NAMED PAINS
What the head-of-security tells us first.
- 01
Two-person security across 12 cameras
Most 1,000–5,000 cap UK venues run a head-of-security plus one. They cover the foyer, the auditorium, the green room corridor, the loading bay and the smoking area. Watching screens isn't the problem — the problem is investigating who entered through which door 90 minutes ago.
- 02
Door staff already know the regulars
Theatre door teams in regional venues, music-venue door staff in Manchester and Edinburgh — they already pattern-match faces in their heads. The job we automate is the part their heads can't do: cross-camera tracking across a 5,000-seat building in real time.
- 03
The 'who was that ejected guest' investigation
Pre-show ejection at 19:30. Same person seen at the stage door at 20:45. Today: 75 minutes of footage review across four cameras. With ReID: the system flags the match the moment the second camera sees the same vector.
§ ICO POSTURE FOR VENUES
Ticketed venues, ticketed expectations.
Ticketing creates a clear consent layer at the point of sale — the moment a venue can say "CCTV is in operation" in a privacy notice the guest opts into. ReID via embeddings sits cleanly inside that consent surface without expanding it into biometric processing.
Where this matters most: SIA-licensed door staff already visually identify regulars and ejected guests. We're not replacing that judgement — we're giving them the cross- camera reach their two-person team doesn't have, in a posture that survives a DPIA.